At this year’s Salone del Mobile, Edra unveiled a vision that extends beyond furniture into a more nuanced language of experience. Across both the fairgrounds and the historic rooms of Palazzo Durini, the presentation unfolded with careful confidence, where form, material, and comfort converge with an almost effortless precision.
There is a sense, in Edra’s world, that softness can carry structure, and that even the most expressive gestures are guided by discipline and grace.
A Tactile Alchemy: Gems, Glossy Matt, and Every Stone
At the heart of Edra’s latest introductions is a deepened exploration of material as both medium and message. These surfaces do not simply envelop; they articulate.
Gems, a radiant textile collection, draws from the chromatic depth of precious stone like Chalcedony, Malachite, and Jasper, translated into luminous threads and dimensional textures that seem to shift with light and movement. There is a vitality to these fabrics, as though they are in quiet dialogue with the forms they inhabit.
Glossy Matt offers a more subdued, yet equally compelling presence. Its interplay of chenille and bouclé creates a surface that feels both refined and elemental, catching light with a restrained brilliance that reveals itself gradually.
With Every Stone, Edra extends this material sensitivity outdoors. Inspired by the irregular veining of marble, the textile carries an organic rhythm, balancing durability with a tactile richness that brings a sense of intimacy to exterior environments.
Together, these materials operate as integral components of design, each one reinforcing Edra’s belief that meaning is embedded within the very substance of an object.
Enduring Forms, Evolving Expressions
Edra’s most iconic works return this season with a renewed presence, shaped by material evolution rather than formal reinvention. The Standard and On the Rocks sofas by Francesco Binfaré transition seamlessly into outdoor settings, their sculptural volumes softened by the nuanced texture of Every Stone. These pieces retain their essential character while expanding the context in which they can be lived with, extending Edra’s pursuit of comfort into the open air.
Jacopo Foggini’s Milano Chair continues to hover between sculpture and utility, its luminous form capturing the spirit of the city it honors. Nearby, the Phantom Table holds a quieter gravity, where lightness is tempered by a sense of permanence. What emerges is a thoughtful continuation, where designs endure because they remain open to transformation.
Palazzo Durini: An Exuberant Composition
Within the historic architecture of Palazzo Durini, Edra’s exhibition took on a heightened sense of intimacy and theatricality. Light moved across surfaces with a deliberate softness, catching on alabaster and textiles that shimmered with a quiet intensity. The atmosphere felt composed yet alive, with an exuberant interplay of reflection, texture, and spatial rhythm.
Here, the collection unfolded as an immersive environment rather than a series of individual pieces. The Cicladi tables by Foggini appeared almost elemental, like luminous fragments shaped by time, reinforcing the mineral language that defined the season. Every detail contributed to a setting that felt both opulent and deeply considered, where design moved beyond observation and into experience.
A Continuing Dialogue
Edra continues to exist within a space of exchange, whether between designer and artisan, innovation and tradition, or object and experience. In Milan this year, that dialogue felt particularly resonant, shaped by a deeper sensitivity to material, context, and the evolving ways we inhabit space.
At Luminaire, this conversation extends beyond the exhibition. Within our showrooms, Edra’s latest works are encountered in environments designed to reveal their full dimensionality, where material, form, and atmosphere come into alignment. Engage with these pieces and begin to unfold their subtle complexities, and consider how they might live within your own space, offering not only comfort, but a lasting sense of connection to design at its most expressive.
For those drawn to explore further, Edra’s newest introductions and enduring icons can be discovered within Luminaire’s collection, where each piece unfolds with its own material story, inviting a more personal encounter with the art of living well.
Latest Articles
Luminaire at Design West Hollywood 2026
Design West Hollywood 2026 celebrated creativity, connection, and contemporary design, with Luminaire Los Angeles and Arclinea Los Angeles hosting memorable gatherings that brought the design community together.
In Conversation with Sophie Goineau
Interior architect Sophie Goineau designs across scales, from a single object to the architecture around it and the land beyond. She discusses composing interiors as one continuous experience, letting each place and its people shape a project's language, and her work on Selby Lane with the San Francisco team.
Charlotte Perriand's Tabouret Stools: Alpine Form, Modern Use
Charlotte Perriand first drew the tabouret stool not from theory but from mountain life, recognizing in the shepherd's three-legged seat an economy of form that no studio exercise could improve upon. Cassina has produced both the low Tabouret Berger and the taller Tabouret Méribel since their 1955 introduction, preserving the hand-turned wood and the quietly shaped seat that make these objects as relevant in a contemporary interior as they were in Perriand's own Alpine chalet.
Read moreabout Charlotte Perriand's Tabouret Stools: Alpine Form, Modern Use
Inside Luminaire Chicago: Italian Design in River North Since 1989
Since 1989, Luminaire Chicago has occupied a converted timber loft in River North, bringing world-class Italian and international furniture to the Midwest across three levels and 21,000 square feet. The showroom is home to dedicated monobrand spaces for Flexform and Henge, alongside collections from Cassina, Poltrona Frau, Living Divani, and more. Full interior design services are available for residential and commercial projects of any scale.
Read moreabout Inside Luminaire Chicago: Italian Design in River North Since 1989
Eileen Gray's E 1027 Table: A Design Conceived for Living
Eileen Gray designed the E 1027 table in 1927 not as a decorative gesture but as a tool for living, a cantilevered tubular steel ring that slides over a bed or sofa and locks at any height the body requires. It was furniture conceived around a person, and nearly a century later that logic remains radical. The story behind the table is inseparable from the story of Gray herself: an architect and designer whose recognition arrived, painfully, decades after it was due.
Read moreabout Eileen Gray's E 1027 Table: A Design Conceived for Living
LC14 Tabouret Cabanon: Le Corbusier's Smallest Architecture
In 1952, Le Corbusier built himself a cabin on the French Riviera measuring 3.66 by 3.66 meters. Every object inside it was an argument. The LC14 Tabouret Cabanon, reissued by Cassina in the I Maestri collection, is the smallest of those arguments and perhaps the most complete.
Read moreabout LC14 Tabouret Cabanon: Le Corbusier's Smallest Architecture
Sacco Chair by Zanotta: The 1968 Object That Refused to Be Furniture
In 1968, three Turin designers proposed a chair with no frame, no fixed angle, and no prescribed posture. The Zanotta Sacco bean bag, filled with expanded polystyrene pellets, adapts to whoever sits inside it, a counter-cultural proposition that entered MoMA's permanent collection and has never left production. Here is why it still earns its place in a serious interior.
Read moreabout Sacco Chair by Zanotta: The 1968 Object That Refused to Be Furniture
Inside Luminaire Coral Gables: The Showroom and Its Design Services
Since 1984, the Coral Gables flagship has been South Florida's most consequential address for Italian and international furniture, lighting, and objects. At 18,000 square feet, it is both a living catalog and a working design studio, where the collections of Living Divani, Edra, and Cassina share space with a full suite of professional design services.
Read moreabout Inside Luminaire Coral Gables: The Showroom and Its Design Services
The Wishbone Chair: Hans Wegner's CH24 and the Art of Making
Since 1950, the CH24 has remained in uninterrupted production at Carl Hansen & Søn, a record that few chairs in the modern canon can match. Hans J. Wegner distilled decades of study into a single, resolved form: a Y-shaped back rail, a steam-bent top, and 120 meters of hand-woven paper cord. The making is the argument.
Read moreabout The Wishbone Chair: Hans Wegner's CH24 and the Art of Making
Cassina Chairs - The Collectors' Guide
Few furniture makers have shaped the chair as a cultural object the way Cassina has. From their earliest collaborations with the European avant-garde to their ongoing stewardship of the twentieth century's most consequential seating designs, the Meda-based manufacturer remains the standard against which Italian furniture brands are measured. This guide surveys the Cassina chairs we carry and the ideas embedded in each one.
On the Rocks by Edra: Francesco Binfaré's Geology of Rest
Francesco Binfaré's On the Rocks for Edra begins not with a frame but with an idea: that a sofa can hold the unpredictable weight of a boulder and the give of a cushion at once. This is a piece that refuses the conventions of modular seating and proposes something more original in their place. Each element is both complete in itself and part of a larger, quietly dramatic composition.
Read moreabout On the Rocks by Edra: Francesco Binfaré's Geology of Rest
The 14p Portable Lamp: Bocci's Cast-Glass Sphere, Untethered
The 14p Portable Lamp by Omer Arbel translates Bocci's celebrated cast-glass sphere into a cordless instrument, preserving every hand-formed irregularity of the original 14 Series while gaining the freedom to move. It is a quiet argument that portability and material rigor are not mutually exclusive.
Read moreabout The 14p Portable Lamp: Bocci's Cast-Glass Sphere, Untethered
Share:
Where Design Becomes Experience: Luminaire and Interni at Milan Design Week 2025
Cassina and Le Corbusier: Staging Modernity Across Time