There are moments when design extends beyond form and enters feeling. Spaces open, the air shifts, and the boundaries between interior and exterior begin to dissolve.
At Luminaire Coral Gables, this sensation came to life through Dreaming Outdoors, an evening dedicated to the latest outdoor collection from Edra. Here, the language of contemporary design unfolded in the open air, revealing a vision of living that is both refined and deeply human.
Guests entered a world shaped by texture, light, and presence. Each piece offered both a function and a sense of retreat. It was a place to pause, to gather, and to experience beauty with intention.
Design That Welcomes the Body
Within this curated setting, comfort became expressive. Form responded to the body, inviting interaction and ease. At the center of the experience was the On the Rocks Outdoor Sofa by Francesco Binfare, where generous proportions and sculptural composition created a landscape of seating that felt both expansive and intimate. Geometry softened into something instinctive, encouraging moments of rest and connection.
Nearby, the Standalto Outdoor Sofa introduced Edra’s Smart Cushion technology into the outdoor environment. Adaptable and responsive, it offered a new dimension of comfort, shaped by the ways we choose to inhabit space, transforming the surroundings into a place of belonging and warmth.
Material as Emotion
Materiality carried the experience further, blurring the line between nature and design. Works from the A’mare Collection by Jacopo Foggini introduced a luminous quality that felt almost elemental. Surfaces caught the light with a fluidity that echoed water, translating natural inspiration into expressive form.
The result was an environment where objects felt alive. Not static, but shifting with light, movement, and perception. A dialogue between the crafted and the organic unfolded across the space, offering a sense of harmony that felt both grounded and elevated.
An Evening That Lingers
As the experience evolved, guests were welcomed into The Scent of Glass, an installation by Santambrogio Milano. Here, transparency and reflection shaped a setting for shared conversation and dining.
A three-course dinner unfolded within this crystalline atmosphere, where light, material, and connection merged into a single experience. Stories were exchanged, perspectives expanded, and the emotional resonance of design became fully present.
At Luminaire, these moments reflect a broader philosophy that design is not simply seen, it is more fully lived, felt, and remembered.
Living with Design, Beyond the Moment
Dreaming Outdoors revealed how outdoor environments can become extensions of our inner lives. They are spaces of comfort, beauty, and reflection that support how we gather and how we restore.
Through its collaboration with Edra, Luminaire continues to shape experiences that move beyond individual pieces into a complete vision of living. From concept to installation, each project becomes an opportunity to create spaces that resonate on a deeper level.
We invite you to explore the Edra Outdoor Collection within our showrooms and discover how these pieces can transform your own environment. Connect with our design team to begin a conversation about how you live, gather, and dream.
Latest Articles
Inside Luminaire Chicago: Italian Design in River North Since 1989
Since 1989, Luminaire Chicago has occupied a converted timber loft in River North, bringing world-class Italian and international furniture to the Midwest across three levels and 21,000 square feet. The showroom is home to dedicated monobrand spaces for Flexform and Henge, alongside collections from Cassina, Poltrona Frau, Living Divani, and more. Full interior design services are available for residential and commercial projects of any scale.
Read moreabout Inside Luminaire Chicago: Italian Design in River North Since 1989
Eileen Gray's E 1027 Table: A Design Conceived for Living
Eileen Gray designed the E 1027 table in 1927 not as a decorative gesture but as a tool for living, a cantilevered tubular steel ring that slides over a bed or sofa and locks at any height the body requires. It was furniture conceived around a person, and nearly a century later that logic remains radical. The story behind the table is inseparable from the story of Gray herself: an architect and designer whose recognition arrived, painfully, decades after it was due.
Read moreabout Eileen Gray's E 1027 Table: A Design Conceived for Living
LC14 Tabouret Cabanon: Le Corbusier's Smallest Architecture
In 1952, Le Corbusier built himself a cabin on the French Riviera measuring 3.66 by 3.66 meters. Every object inside it was an argument. The LC14 Tabouret Cabanon, reissued by Cassina in the I Maestri collection, is the smallest of those arguments and perhaps the most complete.
Read moreabout LC14 Tabouret Cabanon: Le Corbusier's Smallest Architecture
Sacco Chair by Zanotta: The 1968 Object That Refused to Be Furniture
In 1968, three Turin designers proposed a chair with no frame, no fixed angle, and no prescribed posture. The Zanotta Sacco bean bag, filled with expanded polystyrene pellets, adapts to whoever sits inside it, a counter-cultural proposition that entered MoMA's permanent collection and has never left production. Here is why it still earns its place in a serious interior.
Read moreabout Sacco Chair by Zanotta: The 1968 Object That Refused to Be Furniture
Inside Luminaire Coral Gables: The Showroom and Its Design Services
Since 1984, the Coral Gables flagship has been South Florida's most consequential address for Italian and international furniture, lighting, and objects. At 18,000 square feet, it is both a living catalog and a working design studio, where the collections of Living Divani, Edra, and Cassina share space with a full suite of professional design services.
Read moreabout Inside Luminaire Coral Gables: The Showroom and Its Design Services
The Wishbone Chair: Hans Wegner's CH24 and the Art of Making
Since 1950, the CH24 has remained in uninterrupted production at Carl Hansen & Søn, a record that few chairs in the modern canon can match. Hans J. Wegner distilled decades of study into a single, resolved form: a Y-shaped back rail, a steam-bent top, and 120 meters of hand-woven paper cord. The making is the argument.
Read moreabout The Wishbone Chair: Hans Wegner's CH24 and the Art of Making
Cassina Chairs - The Collectors' Guide
Few furniture makers have shaped the chair as a cultural object the way Cassina has. From their earliest collaborations with the European avant-garde to their ongoing stewardship of the twentieth century's most consequential seating designs, the Meda-based manufacturer remains the standard against which Italian furniture brands are measured. This guide surveys the Cassina chairs we carry and the ideas embedded in each one.
On the Rocks by Edra: Francesco Binfaré's Geology of Rest
Francesco Binfaré's On the Rocks for Edra begins not with a frame but with an idea: that a sofa can hold the unpredictable weight of a boulder and the give of a cushion at once. This is a piece that refuses the conventions of modular seating and proposes something more original in their place. Each element is both complete in itself and part of a larger, quietly dramatic composition.
Read moreabout On the Rocks by Edra: Francesco Binfaré's Geology of Rest
The 14p Portable Lamp: Bocci's Cast-Glass Sphere, Untethered
The 14p Portable Lamp by Omer Arbel translates Bocci's celebrated cast-glass sphere into a cordless instrument, preserving every hand-formed irregularity of the original 14 Series while gaining the freedom to move. It is a quiet argument that portability and material rigor are not mutually exclusive.
Read moreabout The 14p Portable Lamp: Bocci's Cast-Glass Sphere, Untethered
The Arco Lamp: Achille Castiglioni's Arc Over Sixty Years
In 1962, Achille and Pier Giacomo Castiglioni solved a problem most designers hadn't thought to name: how to light a dining table from the floor, without touching the ceiling. The Arco lamp is their answer, and it has not needed revision. Over sixty years later, it remains one of the most studied objects in postwar Italian design, and one of the most copied.
Read moreabout The Arco Lamp: Achille Castiglioni's Arc Over Sixty Years
Henge Finds a New Home in Chicago at Luminaire
During NeoCon 2026, we welcomed Henge into our Chicago showroom, marking a new chapter in the brand’s growing presence in the United States.
Read moreabout Henge Finds a New Home in Chicago at Luminaire
The LC3 Sofa: Le Corbusier, Jeanneret, and Perriand's Grand Confort
Conceived in 1928 as the Grand Confort grand modèle, the LC3 sofa places its cushions inside an exposed tubular steel basket, making structure and comfort visible as separate systems. Nearly a century on, the Cassina I Maestri edition preserves that discipline with exacting precision across frame finishes, cushion constructions, and leather programs. This is the definitive guide to understanding, specifying, and authenticating the LC3.
Read moreabout The LC3 Sofa: Le Corbusier, Jeanneret, and Perriand's Grand Confort
Share:
A Joyous Fete: Looking Back and Dashing Forward
Material, Memory, and Meaning at Souvenirs of a Forgotten Past