Within the evolving language of contemporary interiors, few pieces have sustained their presence with such lissome authority as the Frog Chair by Piero Lissoni for Living Divani. Introduced in 1995 and named for its low, poised silhouette, the Frog did not announce itself with grandeur. Instead, it shifted perception subtly, but decisively.

As we celebrate its 30th anniversary, the chair remains as compelling today as it was at launch: a study in restraint, comfort, and design purity.

A New Way to Sit

When Lissoni first conceived the Frog, its proportions challenged expectation. Broad yet grounded, minimal yet deeply inviting, the chair proposed a different relationship between body and space. It encouraged stillness, a softened posture, a more intuitive way of inhabiting the moment.

At the time, its stance felt unconventional, with a lower than expected height and a form almost disarmingly relaxed. Yet within this departure lay its significance. The Frog did not follow the rhythm of design; it recalibrated it.

“We weren’t sure anyone would want it. It was almost a bizarre project. But it was the beginning of a new way to sit. A way to feel.”

- Piero Lissoni

In many ways, the Frog presaged the casual elegance that would come to define 21st-century interiors. With its woven seat and minimalist frame, it blurs the boundary between indoor and outdoor, furniture and sculpture. Over the years, it has evolved from its original cane weave to editions in carbon fiber, black lacquer, and refined outdoor finishes without ever losing its essential soul.

A Lasting Presence

At Luminaire, the Frog has long been recognized as a touchstone of thoughtful design. Its presence within our collection reflects an understanding that true innovation is often overlooked, and that the most resonant objects are those that reveal themselves over time.

Now, three decades on, Living Divani honors the anniversary with continued reverence for Lissoni’s original vision. The Frog remains a cornerstone of an ethos that is effortless, sophisticated, and impossibly light in both form and spirit. Take home a piece of design history with the Frog at Luminaire.

Latest Articles

View all

Luminaire Chicago Showroom.

Inside Luminaire Chicago: Italian Design in River North Since 1989

Since 1989, Luminaire Chicago has occupied a converted timber loft in River North, bringing world-class Italian and international furniture to the Midwest across three levels and 21,000 square feet. The showroom is home to dedicated monobrand spaces for Flexform and Henge, alongside collections from Cassina, Poltrona Frau, Living Divani, and more. Full interior design services are available for residential and commercial projects of any scale.

Read moreabout Inside Luminaire Chicago: Italian Design in River North Since 1989

Eileen Gray's E 1027 Table

Eileen Gray's E 1027 Table: A Design Conceived for Living

Eileen Gray designed the E 1027 table in 1927 not as a decorative gesture but as a tool for living, a cantilevered tubular steel ring that slides over a bed or sofa and locks at any height the body requires. It was furniture conceived around a person, and nearly a century later that logic remains radical. The story behind the table is inseparable from the story of Gray herself: an architect and designer whose recognition arrived, painfully, decades after it was due.

Read moreabout Eileen Gray's E 1027 Table: A Design Conceived for Living

LC14 Tabouret Cabanon

LC14 Tabouret Cabanon: Le Corbusier's Smallest Architecture

In 1952, Le Corbusier built himself a cabin on the French Riviera measuring 3.66 by 3.66 meters. Every object inside it was an argument. The LC14 Tabouret Cabanon, reissued by Cassina in the I Maestri collection, is the smallest of those arguments and perhaps the most complete.

Read moreabout LC14 Tabouret Cabanon: Le Corbusier's Smallest Architecture

Zanotta Sacco Bean Chair.

Sacco Chair by Zanotta: The 1968 Object That Refused to Be Furniture

In 1968, three Turin designers proposed a chair with no frame, no fixed angle, and no prescribed posture. The Zanotta Sacco bean bag, filled with expanded polystyrene pellets, adapts to whoever sits inside it, a counter-cultural proposition that entered MoMA's permanent collection and has never left production. Here is why it still earns its place in a serious interior.

Read moreabout Sacco Chair by Zanotta: The 1968 Object That Refused to Be Furniture

Edra monobrand space in Luminaire Coral Gables.

Inside Luminaire Coral Gables: The Showroom and Its Design Services

Since 1984, the Coral Gables flagship has been South Florida's most consequential address for Italian and international furniture, lighting, and objects. At 18,000 square feet, it is both a living catalog and a working design studio, where the collections of Living Divani, Edra, and Cassina share space with a full suite of professional design services.

Read moreabout Inside Luminaire Coral Gables: The Showroom and Its Design Services

Wishbone Chairs.

The Wishbone Chair: Hans Wegner's CH24 and the Art of Making

Since 1950, the CH24 has remained in uninterrupted production at Carl Hansen & Søn, a record that few chairs in the modern canon can match. Hans J. Wegner distilled decades of study into a single, resolved form: a Y-shaped back rail, a steam-bent top, and 120 meters of hand-woven paper cord. The making is the argument.

Read moreabout The Wishbone Chair: Hans Wegner's CH24 and the Art of Making

Cassina Chair Tamburound Chair - Cassina Chairs Guide

Cassina Chairs - The Collectors' Guide

Few furniture makers have shaped the chair as a cultural object the way Cassina has. From their earliest collaborations with the European avant-garde to their ongoing stewardship of the twentieth century's most consequential seating designs, the Meda-based manufacturer remains the standard against which Italian furniture brands are measured. This guide surveys the Cassina chairs we carry and the ideas embedded in each one.

Read moreabout Cassina Chairs - The Collectors' Guide

Edra on the Rocks Sofa

On the Rocks by Edra: Francesco Binfaré's Geology of Rest

Francesco Binfaré's On the Rocks for Edra begins not with a frame but with an idea: that a sofa can hold the unpredictable weight of a boulder and the give of a cushion at once. This is a piece that refuses the conventions of modular seating and proposes something more original in their place. Each element is both complete in itself and part of a larger, quietly dramatic composition.

Read moreabout On the Rocks by Edra: Francesco Binfaré's Geology of Rest

Bocci 14P at Luminaire Showroom Event.

The 14p Portable Lamp: Bocci's Cast-Glass Sphere, Untethered

The 14p Portable Lamp by Omer Arbel translates Bocci's celebrated cast-glass sphere into a cordless instrument, preserving every hand-formed irregularity of the original 14 Series while gaining the freedom to move. It is a quiet argument that portability and material rigor are not mutually exclusive.

Read moreabout The 14p Portable Lamp: Bocci's Cast-Glass Sphere, Untethered

Flos Arco Lamp.

The Arco Lamp: Achille Castiglioni's Arc Over Sixty Years

In 1962, Achille and Pier Giacomo Castiglioni solved a problem most designers hadn't thought to name: how to light a dining table from the floor, without touching the ceiling. The Arco lamp is their answer, and it has not needed revision. Over sixty years later, it remains one of the most studied objects in postwar Italian design, and one of the most copied.

Read moreabout The Arco Lamp: Achille Castiglioni's Arc Over Sixty Years

Henge Finds a New Home in Chicago at Luminaire

Henge Finds a New Home in Chicago at Luminaire

During NeoCon 2026, we welcomed Henge into our Chicago showroom, marking a new chapter in the brand’s growing presence in the United States.

Read moreabout Henge Finds a New Home in Chicago at Luminaire

Cassina - The LC3 Sofa.

The LC3 Sofa: Le Corbusier, Jeanneret, and Perriand's Grand Confort

Conceived in 1928 as the Grand Confort grand modèle, the LC3 sofa places its cushions inside an exposed tubular steel basket, making structure and comfort visible as separate systems. Nearly a century on, the Cassina I Maestri edition preserves that discipline with exacting precision across frame finishes, cushion constructions, and leather programs. This is the definitive guide to understanding, specifying, and authenticating the LC3.

Read moreabout The LC3 Sofa: Le Corbusier, Jeanneret, and Perriand's Grand Confort