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Made by Cassina
Conceived in 1929 as part of a systematic study of furniture as built architecture, the LC10-p Square Low Table distills modernist conviction into a single, resolved form. Le Corbusier, Pierre Jeanneret, and Charlotte Perriand approached every piece in their furniture program the way they approached a building: through proportion, structural honesty, and the elimination of anything incidental.
A crystal-clear glass top rests on a frame of slender enameled tubular steel. The relationship between transparency and precision is the design's central gesture. Nothing mediates between the two materials. Nothing decorates the joint. The geometry is absolute.
- Designed 1929, reissued under Cassina's i Maestri collection
- Crystal glass top on an enameled tubular steel base
- Square format conceived for spatial flexibility within a strict geometric language
- Cassina has held the exclusive production license for this collection since 1964, in collaboration with the Fondation Le Corbusier
The square plan, rather than the more common rectangle, enforces a particular discipline in a room. It resists casual placement. It asks the surrounding furniture to respond to it, making it as much a compositional tool as a functional surface.
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LC10-p Square Low Table
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Luminaire is an authorized retailer of Cassina. The product comes with a full manufacturer warranty.
Frequently Asked Questions
Who designed the LC10-p and when?
The LC10-p was designed in 1929 by Le Corbusier, Pierre Jeanneret, and Charlotte Perriand as part of their broader program of furniture conceived with the rigor of architectural design. It was reissued by Cassina under the i Maestri collection, which preserves the original proportions and material specifications.
What is the i Maestri collection by Cassina?
i Maestri is Cassina's collection of historically significant furniture produced under exclusive license from the estates and foundations of the original designers. Cassina has held the license to produce the Le Corbusier, Jeanneret, and Perriand pieces since 1964, working directly with the Fondation Le Corbusier to ensure fidelity to the originals.
Why does the LC10-p use a square format rather than rectangular?
The square plan was a deliberate compositional choice, reflecting the trio's interest in geometric discipline and spatial equality. Unlike a rectangle, the square format has no dominant axis, which creates a more demanding and architecturally precise relationship with the furniture and space around it.
What materials are used in the LC10-p construction?
The table combines a crystal-clear glass top with a base of enameled tubular steel. Both materials were central to the modernist vocabulary of the late 1920s, chosen for their structural clarity and their ability to express form without applied ornament.
How does the LC10-p relate to other Le Corbusier furniture pieces?
The LC10-p belongs to the same systematic furniture program that produced the LC2 armchair, the LC4 chaise longue, and the LC7 swivel chair. Each piece was developed with the same underlying logic: a separation of structure from surface, strict geometric proportion, and the use of industrial materials. They are designed to coexist, though each functions independently.
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