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Made by Cappellini
Designed by Jasper Morrison
Jasper Morrison's Orla collection for Cappellini sits at the intersection of restraint and warmth. The silhouette is immediately legible: slender shells that curve with quiet intention, cradling cushions of exceptional depth and softness. The result is a piece that reads as spare without feeling austere.
Morrison's design sensibility has long favored the ordinary made extraordinary through proportion and precision. Orla reflects that philosophy without announcing it. The form is neither nostalgic nor aggressively contemporary, occupying a space that feels considered rather than styled.
- Designed by Jasper Morrison for Cappellini
- Sinuous shell profile with slender, sculpted structure
- Generous cushion depth for sustained comfort
- Part of the permanent collection at the Tate Modern, London
Made to order by Cappellini, tailored to you.
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Orla
Frequently Asked Questions
Who designed the Orla armchair for Cappellini?
The Orla collection was designed by British designer Jasper Morrison, whose practice is defined by a rigorous pursuit of simplicity, proportion, and function. Morrison has collaborated with Cappellini across several significant projects.
Is the Orla chair part of any museum collection?
Yes. The Orla series is part of the permanent collection of the Tate Modern in London, placing it among a select group of contemporary furniture pieces recognized for their cultural and design significance.
What upholstery and finish options are available for the Orla?
Cappellini offers the Orla in a range of fabric and leather upholstery options across its standard and special-order programs. Configuration specifics are confirmed at the time of order.
Is the Cappellini Orla suitable for contract or commercial use?
The Orla collection is designed to perform in both residential and contract environments. Its structural restraint and scale make it adaptable to hospitality, office, and cultural institution settings.
What is Jasper Morrison's design philosophy?
Morrison advocates for what he calls 'super normal' design, the idea that the most enduring objects are those that fulfill their purpose without excess. His work prioritizes proportion, material honesty, and the quiet authority of well-resolved form.


