Harvest 200 Blue
Made by Kasthall
Designed by Ellinor Eliasson
Ellinor Eliasson designed Harvest around the idea of letting material lead. The yarn itself, sourced from residual spools that shift continuously between colors, determines the surface. No two runs are identical. The result is a rug that carries its own quiet signature, shaped as much by the loom as by the hand that set it in motion.
The Harvest 200 Blue is woven with a linen warp and a pure wool weft at Kasthall's mill in Kinna, Sweden, a facility with over a century of weaving heritage. Blue here is not a single hue but a range of tones that emerge and recede across the surface, giving the textile a depth that changes with the light and the angle of view.
- Pure wool weft, linen warp construction
- Woven from residual yarn for natural chromatic variation
- Produced individually at Kasthall's Kinna mill
- Available in custom sizes to order
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Pairs Well With
Harvest 200 Blue
Frequently Asked Questions
What makes each Harvest rug unique?
Because the yarn is sourced from residual spools that alternate colors continuously during weaving, the chromatic pattern across each rug is never exactly repeated. The variation is inherent to the process, not a decorative choice applied afterward.
What materials are used in the Kasthall Harvest rug?
Harvest is constructed with a linen warp and a pure wool weft. The use of residual wool yarn means the palette shifts organically across the surface, with no two color sequences identical.
Where is the Kasthall Harvest rug made?
It is woven at Kasthall's mill in Kinna, Sweden, where the company has produced handcrafted rugs for well over a century. Each piece is produced individually on-site.
Can the Harvest 200 Blue be ordered in a custom size?
Yes, Harvest is available as a made-to-order piece in custom dimensions. Specifications can be discussed at the time of inquiry to suit a specific space or project requirement.
Who is designer Ellinor Eliasson?
Ellinor Eliasson is a Swedish textile designer whose practice focuses on material investigation and the expressive potential of weaving processes. Her work for Kasthall often begins with the constraints of a given material, allowing structure and technique to shape the final form.