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Made by Poltrona Frau
Designed by Sebastian Herkner
Sebastian Herkner drew from Greek mythology for the Nymph, envisioning those gentle presences bound to nature and the quiet rhythms of daily life. The blown glass body rises with a sculptural confidence, at once airy and grounded. Its form invites light to move through it rather than simply emit from it.
A finely pleated textile shade diffuses illumination into something warm and atmospheric. The leather-covered base anchors the composition with a material familiarity that feels considered rather than decorative. Most telling is the button set directly into the shade, a detail that mirrors the signature tufted upholstery Poltrona Frau has refined across more than a century of Italian craft. A single gesture that connects a lighting object to a much longer story.
- Blown glass body with sculptural silhouette
- Finely pleated shade in refined textile
- Leather-covered base with tufted button detail
- Portable table lamp format
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Nymph Table Lamp
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Frequently Asked Questions
Who designed the Nymph table lamp?
The Nymph was designed by Sebastian Herkner, a German designer known for his poetic approach to material and form. He drew inspiration from Greek mythology, specifically the nymphs as gentle natural presences, to inform the lamp's quiet, organic character.
What materials are used in the Nymph lamp?
The Nymph features a blown glass body, a finely pleated textile shade, and a base covered in leather. The tufted button detail on the shade is a direct reference to Poltrona Frau's upholstery tradition.
What is the significance of the button detail on the shade?
The button set into the pleated shade is a deliberate cross-reference to Poltrona Frau's iconic tufted leather upholstery. It connects the lamp to the brand's broader craft heritage, making it a coherent object within the Poltrona Frau identity rather than simply a standalone piece.
Is the Nymph lamp suitable for use without a fixed electrical connection?
Yes, the Nymph is designed as a portable table lamp, giving it flexibility in placement without reliance on a hardwired installation.
How does Sebastian Herkner's design philosophy show in this piece?
Herkner consistently works at the intersection of cultural reference and material craft. In the Nymph, that approach is visible in the dialogue between the translucent glass body and the tactile leather base, two materials with very different registers that are resolved into a single, cohesive form.



