Sedia Rose
Made by Edra
La sedia Rose Chair, disegnata da Masanori Umeda per Edra, è una poltrona scultorea a forma di fiore in piena fioritura, dove ogni petalo è realizzato a mano e stratificato individualmente per formare una seduta morbida e invitante. Le sue curve accoglienti e il rivestimento in velluto evocano eleganza visiva e lusso tattile, mentre una raffinata struttura in metallo e legno garantisce stabilità sotto la sua morbida superficie. Né elegante né casual, le due caratteristiche coesistono, offrendo una presenza poetica che risulta sartoriale e confortevolmente accessibile. Questo design poetico unisce artigianato, comfort ed espressione artistica senza soluzione di continuità.
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Sedia Rose
Frequently Asked Questions
When was the Edra Rose Chair first designed?
Masanori Umeda designed the Rose Chair for Edra in 1990. It debuted as a landmark of postmodern Italian design and has remained in continuous production since, made to order in Italy.
What upholstery options are available for the Rose Chair?
The Rose Chair is upholstered in velvet, which Umeda selected for its tonal depth and the way it responds to light and handling. It is available in a range of colorways, with specific options confirmed at the time of order.
How is the Rose Chair constructed?
Each petal is individually cut, filled, and layered by hand by Edra's artisans in Italy. The interior structure is a metal and solid wood frame, which gives the sculptural silhouette its long-term stability.
Who is Masanori Umeda and what is his design background?
Masanori Umeda is a Japanese designer who spent formative years working in Milan, including a period with Ettore Sottsass and later as a founding figure of the Memphis Group. His work is characterized by a dialogue between Eastern sensibility and Italian radical design culture.
Is the Rose Chair a functional seat or primarily a collector's object?
The Rose Chair functions as a genuine armchair with a structured internal frame designed for regular use. Its standing as a collectible icon of 20th-century design does not come at the expense of its utility.