


Dolmen
Made by Cappellini
Designed by Giulio Cappellini
Il tavolo Dolmen di Giulio Cappellini si ispira alla classica tradizione del marmo e incorpora elementi stilistici degli anni '80 per creare un design unico e contemporaneo.
Il tavolo vanta un grande piano in marmo spesso 3 cm e poggia su due basi semicircolari autoportanti realizzate nello stesso materiale. Questo design non solo migliora la superficie di appoggio ma crea anche un'esperienza tattile e visivamente sbalorditiva.
Il tavolo Dolmen è disponibile in tre diverse versioni, ognuna realizzata con un diverso tipo di marmo: bianco Carrara, verde Alpi e travertino paglierino chiaro e grigio di Roma.
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Dolmen
Brand & Designer
Frequently Asked Questions
What marble options are available for the Dolmen table?
The Dolmen is available in four marble finishes: White Carrara, Alpi Green, Travertino, and Rome Grey. Each version is cut from a single slab, so the grain and veining of the top and bases share a continuous material identity.
How thick is the Dolmen table top?
The marble top is 3cm thick, a proportion that gives the table its characteristic sculptural presence without reading as excessively heavy. The thickness is consistent across all marble variants.
Are the Dolmen bases attached to the table top?
No. The two semi-circular bases stand independently and support the top through mass and proportion alone, without mechanical fastening. This freestanding logic is central to the design concept.
Who designed the Cappellini Dolmen table?
The Dolmen was designed by Giulio Cappellini, who has been the creative director of Cappellini since the 1980s. His work consistently explores the tension between historical reference and formal reduction, and the Dolmen reflects his interest in the archaic as a source of contemporary design language.
Is natural stone variation expected in the Dolmen table?
Yes, and it is intentional. Because the top and bases are cut from the same slab of marble, each table carries a unique pattern of grain, veining, and tonal variation. This natural variation is considered intrinsic to the piece, not a defect.


