

Omaggio A Morandi
Made by Salvatori
Designed by Elisa Ossino
Elisa Ossino began with a quiet observation: the vessels Giorgio Morandi painted obsessively throughout his life share something essential with stone. Both reward stillness. Both resist ornament. Her Omaggio a Morandi collection for Salvatori translates that insight into form, casting the painter's archetypal bottles and cylinders in some of Italy's most storied marbles.
Each piece is carved from a single variety of natural stone, chosen to draw out a different dimension of Morandi's sensibility. Bianco Carrara reads with the pale, dusty quietude of his most restrained canvases. Botticino offers warmth and fine grain. Cipollino introduces a wavering, almost atmospheric depth. Rosso Collemandina arrives with the drama he rarely permitted himself but somehow implied.
- Bianco Carrara: classic white marble quarried in the Apuan Alps, used in Italian sculpture for centuries
- Botticino: a warm beige limestone from Brescia with subtle fossil texture
- Cipollino: a green-veined marble whose layered movement suggests the onion skin its name references
- Rosso Collemandina: a deep red Tuscan marble of rare intensity
Ossino studied architecture before turning to design, and that formation shows. These are not decorative objects that borrow an artist's name. They are a considered argument about form, material, and the dignity of the ordinary vessel.
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Omaggio A Morandi
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Luminaire is an authorized retailer of Salvatori. The product comes with a full manufacturer warranty.
Frequently Asked Questions
What marbles are used in the Omaggio a Morandi collection?
The collection is available in several natural stones including Bianco Carrara, Botticino, Cipollino, and Rosso Collemandina. Each variety is quarried in Italy and carries a distinct geological character, from the pale restraint of Carrara marble to the vivid depth of Rosso Collemandina.
Who is designer Elisa Ossino?
Elisa Ossino is a Milan-based architect and art director whose practice spans product design, exhibition design, and visual identity. She has worked closely with Salvatori across multiple collections, developing a body of work that treats stone as both medium and subject.
What is the connection to painter Giorgio Morandi?
Giorgio Morandi (1890-1964) was a Bologna-born Italian painter best known for his meditative still lifes of bottles, jars, and vessels rendered in muted, closely valued tones. Ossino's sculpture series translates his signature forms into three-dimensional stone objects, exploring how his compositional simplicity reads in physical material.
How is each Omaggio a Morandi piece made?
Each sculpture is carved by Salvatori's craftspeople in Querceta, Tuscany, from a single block of natural marble or stone. Salvatori has operated in the Apuan Alps region for decades, maintaining direct relationships with quarries and artisans who specialize in precision stone working.
Can these sculptures be grouped as a collection?
Yes, and grouping them is central to the concept. Just as Morandi arranged his vessels in quiet, carefully considered clusters, the pieces are designed to be composed together. Mixing stones within a single arrangement creates the kind of tonal dialogue that defines his painted work.
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