





Schermo 100
Made by Artek
Designed by Alvar Aalto
Il paravento 100, progettato da Alvar Aalto per Artek, è un'elegante espressione di arte funzionale e forma organica. Realizzato con sottili listelli verticali di pino naturale, si srotola in curve diritte o sinuose per definire gli spazi con una sottile atmosfera. La sua struttura leggera ma robusta consente un facile riposizionamento, preservando al contempo la connessione visiva nella stanza. La maestria di Aalto nei materiali e nelle forme risplende in questo intramontabile divisorio.
Typically ships in 12-14 weeks.
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Schermo 100
Dettagli del prodotto
Dettagli
Misure
Spedizione e resi
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Garanzia
Luminaire è un rivenditore autorizzato di Artek. Il prodotto è coperto dalla garanzia completa del produttore.
Frequently Asked Questions
What wood is used in the Artek Screen 100?
The Screen 100 is constructed from natural pine, cut into thin vertical strips and joined with cotton cord lacing. Artek sources and finishes the pine in a manner consistent with Aalto's original material intentions, preserving the wood's natural grain and warmth.
Can the Screen 100 hold a curved shape on its own?
Yes. The laced pine construction allows the screen to hold both straight and curved configurations without any additional hardware or support. The tension created by the cotton lacing keeps the chosen form stable under normal conditions.
What are the dimensions of the Artek Screen 100?
The Screen 100 measures approximately 100 centimeters in height, with its extended width depending on how the panels are arranged. It is designed to read as a low, horizontal band that filters space without fully enclosing it.
When did Alvar Aalto design the Screen 100?
Aalto developed the Screen 100 in the 1930s, during the same period he was exploring bent and laminated wood techniques for furniture produced by Artek, the company he co-founded in Helsinki in 1935.
How does the Screen 100 define space without blocking light?
The vertical pine strips are narrow and spaced to allow light and sightlines to pass through, creating a sense of zone or enclosure without visual opacity. This quality makes it well suited to open-plan interiors where atmosphere matters more than strict division.
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