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Made by Vitra
Designed by George Nelson
L'orologio Asterisk di George Nelson è un orologio scultoreo che trasforma la parete in una dichiarazione grafica audace. Le sue dodici razze radiali imitano la forma di un asterisco, offrendo un'interpretazione del tempo fresca e senza numeri. Realizzato con finiture in ottone o verniciate, l'orologio bilancia l'esuberanza di metà secolo con la precisione moderna. La sua silhouette cinetica porta sia fascino che chiarezza agli interni contemporanei.
Typically ships in 2-4 weeks.
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Orologio Asterisco
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Garanzia
Luminaire è un rivenditore autorizzato di Vitra. Il prodotto è coperto dalla garanzia completa del produttore.
Frequently Asked Questions
Who designed the Asterisk Clock and when?
George Nelson designed the Asterisk Clock in the 1950s as part of a series of sculptural clocks originally produced by Howard Miller. Vitra now holds the license and continues production faithful to Nelson's original specifications.
Why does the Asterisk Clock have no numbers?
Nelson's design philosophy held that the graphic form of a clock could communicate time without relying on numerals. The twelve evenly spaced spokes orient the eye intuitively, making the face as readable as any numbered dial while functioning as a wall sculpture in its own right.
What materials are used in the Vitra Asterisk Clock?
The clock features a combination of brass and painted wood or metal accents depending on the finish variation. Vitra maintains the material palette established in Nelson's original mid-century designs.
How large is the Asterisk Clock, and how is it mounted?
The Asterisk Clock measures approximately 66 cm (roughly 26 inches) in diameter and mounts to the wall with a single hook or screw at the rear of the central housing. Its span makes it a confident presence on most wall surfaces.
How does the Asterisk Clock relate to other George Nelson clock designs?
The Asterisk Clock is one of several sculptural timepieces Nelson created in the 1950s, a series that also includes the Ball Clock and the Sunflower Clock. Each design shares a radial vocabulary while exploring a distinct graphic identity, and the series as a whole is considered one of the most influential contributions to American mid-century industrial design.
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