Blue Velvet Armchair
Made by Edra
Fernando and Humberto Campana approached the Blue Velvet armchair as an exercise in softness made structural. Fully padded and quilted velvet wraps a dark wood frame, producing a silhouette that reads as generous and composed in equal measure. The quilting distributes volume with intention, giving the upholstery a sculptural presence rather than a purely decorative one.
The character of the piece draws from the warmth of a comforter while holding the posture of a proper chair. Its removable cover is a considered detail, reflecting the Campanas' long-standing interest in objects designed to live with people over time and to age with care rather than be replaced.
- Fully padded and quilted velvet upholstery
- Dark wood structural frame
- Removable cover for care and longevity
- Made to order
Made to order by Edra, tailored to you.
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Blue Velvet Armchair
Frequently Asked Questions
Who designed the Edra Blue Velvet armchair?
The Blue Velvet armchair was designed by Fernando and Humberto Campana for Edra. The São Paulo-born brothers are known for work that translates informal warmth into structured, lasting form.
Is the cover on the Blue Velvet armchair removable?
Yes, the velvet cover is fully removable. This detail reflects the Campanas' interest in designs that are practical to maintain and intended to accompany daily life over the long term.
What is the frame material of the Blue Velvet armchair?
The chair is built on a dark wood structural frame, which provides the underlying architecture that gives the softly quilted upholstery its composed, upright posture.
Is the Edra Blue Velvet armchair made to order?
Yes, the piece is made to order through Edra's production process, which is consistent with the brand's approach to craft-driven, specification-quality furniture.
What design philosophy informs the Campana Brothers' work for Edra?
The Campanas draw on Brazilian material culture and a fascination with everyday objects, often reinterpreting humble references through rigorous craft. Their work for Edra has consistently explored the boundary between comfort and sculptural form.