

The Muses Sculptures
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Belgian artist Renaat Ramon draws from the daughters of Zeus and Mnemosyne to create this series of seven abstract white ceramic sculptures. Each piece is named for one of the classical Muses: Calliope, Clio, Erato, Euterpe, Melpomene, Terpsichore, and Urania. The forms are distilled, spare, stripped of ornament so that gesture alone carries meaning.
The sculptures are produced at Cores da Terra, the studio of Selma Calheira in Brazil, a practice recognized for its commitment to craft education and its contribution to the cultural and economic development of its local community. Ramon's name is engraved into the base of each piece, a quiet mark of authorship on an object designed to feel ancient and immediate at once.
- Material: white ceramic
- Available in seven individual forms, each referencing a distinct Muse
- Designed to be displayed individually or composed as a group
- Produced at Cores da Terra studio, Brazil
- Designer's name engraved on the base of each sculpture
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The Muses Sculptures
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Frequently Asked Questions
Who is Renaat Ramon?
Renaat Ramon is a Belgian visual artist known for his reductive approach to form, working across ceramics and sculpture. His work often draws on mythological and cultural archetypes, distilled into abstract objects that prioritize gesture over decoration.
What are the seven Muses these sculptures represent?
The series references the seven daughters of Zeus and Mnemosyne in Greek mythology: Calliope (epic poetry), Clio (history), Erato (love poetry), Euterpe (music), Melpomene (tragedy), Terpsichore (dance), and Urania (astronomy).
Can the Muses sculptures be displayed together as a set?
Yes. Each sculpture is designed to stand independently, but the seven pieces are also conceived as a cohesive group. When composed together, they create a dialogue of form that reflects the collective identity of the Muses.
Where are the Muses Sculptures made?
The sculptures are produced at Cores da Terra, the studio of ceramicist Selma Calheira in Brazil. The studio is widely recognized for its role in developing local artisan skills and contributing to the cultural and economic life of its community.
What makes white ceramic appropriate for this subject matter?
White ceramic carries associations with classical antiquity, from Greek marble to unglazed figurines found in ancient votive contexts. For Ramon, the absence of color and surface decoration focuses attention entirely on form, allowing each abstract silhouette to evoke its mythological subject without illustration.
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