Sedia di legno
Made by Cappellini
La sedia in legno, una piccola poltrona, unisce perfettamente funzionalità ed estetica in qualsiasi ambiente. Con le sue linee elegantemente curve, realizzate in legno curvato, invita a esplorare il suo fascino estetico, stimolando la riflessione sulla sua integrità strutturale. Nonostante il suo aspetto delicato, il durame naturale di faggio fornisce un supporto robusto, invitandoti a rilassarti e distenderti.
Nel campo del design, Marc Newson si distingue come una delle figure più affermate e influenti della sua generazione. Nonostante la sua giovane età, ha dimostrato la sua abilità creativa in diversi settori, progettando sedie, articoli per la casa, biciclette, concept car e persino contribuendo al design di ristoranti, studi di registrazione e interni di jet per clienti in tutto il mondo.
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Sedia di legno
Frequently Asked Questions
What wood is used in the Cappellini Wooden Chair?
The chair is constructed from bent beech heartwood. Beech is chosen for its consistent grain and flexibility under steam-bending, which allows the continuous curved shell that defines the design.
When did Marc Newson design the Wooden Chair?
Newson designed the Wooden Chair in 1988, while still in his twenties. It was one of his first pieces to receive international attention and remains in production through Cappellini.
Is the Wooden Chair structurally sound despite its delicate appearance?
Yes. The form derives its strength from the geometry of the bent wood shell and the natural structural properties of beech. The curves distribute load in a way that makes mass unnecessary.
How does the Wooden Chair fit within Marc Newson's broader body of work?
Newson's practice is unusually wide-ranging, covering aircraft interiors, bicycles, watches, and public spaces. The Wooden Chair represents his approach at its most concentrated: a single material, a single gesture, no ornament.
What settings suit the Cappellini Wooden Chair?
Its compact scale and sculptural quality make it well suited to residential living rooms, design-focused offices, and gallery or hospitality environments where individual pieces are given room to be read as objects.